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||1261: All Saints, Carshalton, Surrey, England
Mystery Worshipper: Ecclesiastical Flip-flop.
The church: All Saints, Carshalton, Surrey, England.
Denomination: Church of England.
Comment: We have received a comment about this report.
The building: The presence of a church in Carshalton is recorded
in the Domesday Book, but it is not known how long it has been there. The
tower is the oldest part of the present building – pre-Norman Conquest
– and the bells in the tower were restored and became ringable again, after
many years out of action, some 25 years ago. It appears that the nave was
originally built about 1150, with three bays of the south aisle added about
1200. All evidence points to the fact that as renovations and additions
were made through the centuries, workmen showed little if any respect for
the efforts of their predecessors, filling in windows, altering doorways,
replacing stone with brick, and in some cases even stealing the brass fittings.
By 1884 the patchwork infrastructure of the building had become quite unsafe,
and Lord Victor Seymour, the rector, made the bold decision to build a new
church as well as to set the church squarely on the tractarian tradition,
which has continued to this day. Father Corbould, the rector from 1919 to
1958, was a friend of the flamboyant church furnisher Sir Ninian Comper,
who was responsible for the magnificent ornamentation and embellishments
The church: All Saints offers conservative but not male-dominated
worship in the Anglo-Catholic tradition of the Church of England. The church
has a history of long incumbencies; the present rector is only the sixth
since 1845. The aforementioned Father Corbould arrived in 1919 and remained
in post until 1958; an avowed anglo-papist, Corbould used an English translation
of the Roman Mass.
The neighbourhood: Carshalton is now part of the London borough of
Sutton, and is situated between Sutton and Croydon in the diocese of Southwark.
The church sits at the end of a busy shopping area; other roads nearby are
residential. Right opposite the church is a large duck pond, giving a rural
impression in what is otherwise an all urban setting.
The cast: The Rev. Hugh Naunton, celebrant and preacher, vested in
a Roman chasuble of reddish purple with matching stole. Assisting were two
lay subdeacons, one male and the other female, vested in matching tunicles,
and a team of six servers, boys and girls aged from about 5 to about 20,
vested in albs, plain amices and girdles, except for one who was robed in
a black cassock with a wide sleeved surplice.
The date & time: Sunday, 5 March 2006, 10.30am, the first Sunday
What was the name of the service?
High Mass with Great Litany in procession.
How full was the building?
About a third full, with about 45 in the congregation scattered all over
Did anyone welcome you personally?
Yes, both Father Naunton and the tower captain greeted me.
Was your pew comfortable?
Wooden chairs – yes, they passed muster.
How would you describe the pre-service
Being a bell-ringer, I could not resist visiting the tower upon arrival.
The tower captain, a woman named Rosemary, knows me from the local ringing
association and introduced me to the other ringers present. Rosemary was
quick to recognise that my presence made up an exact full complement of
eight ringers, so that all eight bells could be rung. Forgive me for talking
shop for a moment to those who understand these things, but we rang call-changes
incorporating Tittums and Whittingtons, and then I went down into the church
as soon as ringing had finished. After a moment or two of golden silence,
the sacristy bell rang and the Great Litany was begun.
What were the exact opening words of the
"O God the Father of Heaven: have mercy upon us miserable sinners." The
Great Litany was sung in procession to the Thomas Tallis setting.
What books did the congregation use during the
None. There was a specially printed leaflet for the whole order of service,
including the prayers, the hymns and the readings. There was a Book
of Common Prayer in the pew, but it was not needed.
What musical instruments were played?
Did anything distract you?
Many things. The junior subdeacon was a lovely, angelic looking young lady in her
teens or early 20s, with beautiful golden locks of hair reaching the shoulders
of her tunicle. The boat-boy
was taller than the thurifer, which was slightly incongruous. Up above
the chancel screen was a Calvary, and higher still was an image of Christ
in majesty, which drew my eyes upwards more than once. Some of the details
of the ceremonial were old-fashioned, such as the celebrant being censed
at the introit instead of at the offertory; the sacred ministers genuflecting
at the incarnatus during the creed; only the elements and not the altar
being censed at the offertory.
Was the worship stiff-upper-lip, happy clappy, or
It was a traditional high mass, eastward facing at the high altar. The rite
was Common Worship Order One in traditional language. The Tallis setting
of the Great Litany got things off to a sombre start. Parts of the service
were done a cappella, and the creed and other parts were sung to
Merbeck. Fr Hugh sang the service beautifully. A cantor was in evidence out of sight, possibly in the organ loft. An air of peaceful reverence pervaded the service all the way through.
Exactly how long was the sermon?
On a scale of 1-10, how good was the preacher?
8 Father Hugh spoke clearly, and everything he said was relevant and to the point –
no more, no less.
In a nutshell, what was the sermon
Father Hugh preached on the Gospel reading for the day (Mark 1:9-15, Jesus's
baptism and temptation in the desert). The rite of baptism includes repentance
for one's past sins and a resolve to follow Jesus in the future. Church
architecture and furnishings include many symbols relating to baptism. He gave a reminder of the Holy Spirit in baptism; what the church is for; and benefits of spirituality. Lent allows us to be led by the Holy Spirit, enabling us to listen to what God is saying to us.
Which part of the service was like being in
The moment of the
consecration prayer at the high altar, with the clouds of incense and sanctuary
bells in that peaceful and reverential setting.
And which part was like being in... er... the other place?
During the intercessions, the microphone kept going on and off, making it
difficult to hear. Also, the heating may have been inadequate, as many people
kept their coats on. As the earlier bell-ringing had warmed me up, and I don't feel the cold, this is something which may have been felt by other people, but not by me.
What happened when you hung around after the service looking lost?
Two or three people said good morning to me with no other conversation.
Father Hugh said hello and added that this was the first time he had
officiated here on his own. I recognised someone I had seen before, and
asked him about coffee. He told me that there were plans to build a kitchen in the church, as well as a user-friendly toilet, but that was yet to be.
How would you describe the after-service
There wasn't any all morning at any stage. Tut-tut!
How would you feel about making this church your regular (where 10 = ecstatic, 0 = terminal)?
6 I was all set to give the church an 8 until people said good morning without
stopping to say more, and until I found out there was no coffee! Father
Hugh's dignified approach and the fact that I was able to
take part in the bell-ringing saved the day for me; otherwise I would have felt left out and unwelcome. I was reminded of the old quip
about the curate's egg – good in parts, and the bad parts left a lot to be desired.
Did the service make you feel glad to be a
What one thing will you remember about all this in seven days' time?
The peaceful, reverential atmosphere that pervaded the service all the way through.
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