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              | 1571: St George's Cathedral, Perth, Western Australia | 
             
            
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                Mystery Worshipper: 
                  Cantate Domino. 
                  The church: 
                  St George's 
                  Cathedral, Perth, Western Australia. 
                  Denomination: 
                  Anglican 
                  Church of Australia, Diocese 
                  of Perth. 
                  The building: 
                  St George's is a 19th century brick cathedral, designed by the 
                  colonial architect Edmund Blacket, who also designed the Anglican 
                  cathedrals in Goulburn, Sydney and Hobart but who never actually 
                  visited Perth. Its battlemented bell tower was put up in 1902 
                  as a memorial to Queen Victoria. The cathedral is brick inside 
                  and out but the columns in the nave are a dark marble. The stained 
                  glass and furnishings are all very Victorian, but the hammer 
                  beam roofs are gloriously intricate and made from beautiful 
                  dark timbers. There are a couple of lovely surprises in the 
                  north transept: a 15th century statue of St George and steps 
                  leading down to an underground chapel. The cathedral has recently 
                  undergone a very thorough restoration and absolutely sparkles. 
                  The church: 
                  The cathedral has daily services using both the Book of 
                  Common Prayer and the Australian Prayer Book. 
                  It maintains the tradition of evensong with a choir of men and 
                  boys. 
                  The neighbourhood: 
                  Perth, in Western Australia, is the country's fourth largest 
                  city. It enjoys hot, dry winters and cool but pleasant summers, 
                  the temperature having fallen below the freezing point only 
                  once on record. St George's is in the centre of Perth. The town 
                  hall in nearby and the governor's residence (another brick Victorian 
                  creation) is across the road. The cathedral seems to be rather 
                  stranded on a busy road and is now surrounded by office buildings 
                  with limited open space from which to view it. The city library 
                  is next door. 
                  The cast: 
                  Almost everyone was there except the Archbishop of Sydney! Presiding 
                  over the consecration and the eucharist was the Most Revd Dr 
                  Roger Herft, Archbishop of Perth. The sermon was delivered by 
                  the Most Revd Dr Phillip Aspinall, Primate of Australia and 
                  Archbishop of Brisbane. Also in attendance were the Most Revd 
                  Dr Philip Freier, Archbishop of Melbourne; the Most Revd Jeffrey 
                  William Driver, Archbishop of Adelaide; the Very Rev Dr John 
                  Shepherd, Dean of Perth; the Revd Canon Tony Murray-Feist, precentor; 
                  and all of the cathedral's clerical and lay canons. In the three 
                  processions were many diocesan bishops and visiting bishops 
                  and clergy, including area deans and archdeacons, ordinands, 
                  deacons and parish clergy, episcopal chaplains, retired archdeacons, 
                  bishops, and archbishops (including the Most Revd Dr Peter Carnley, 
                  who as archbishop of Perth officiated at the first ordination 
                  of women priests, including Kay Goldsworthy); the Rt Revd Victoria 
                  Matthew, Bishop of Christchurch (a woman, please note); the 
                  chancellor and deputy chancellor of the diocese in full court 
                  dress; various acolytes, vergers, thurifers and crucifers; as 
                  well as the clerical and lay presenters for the new bishop. 
                  Also there were the elders of the Noongar people, whose "welcome 
                  to country" ritual began the service; members of other Christian 
                  faiths including a Benedictine abbot, the representative of 
                  the Uniting Church, 
                  and a Buddhist monk. The choir of men and boys was directed 
                  by Joseph Nolan, the master of the choristers. The organ was 
                  played by Mr Stewart Smith. 
                  The date & time: 
                  22 May 2008, 7.00pm. 
                   
What was the name of the service? 
                  The Consecration of Kay Maree Goldsworthy, Priest, as Bishop 
                  in the Church of God. 
                   
How full was the building? 
                  The cathedral nearly exploded, I would say. All pews were full. 
                  I arrived 45 minutes early and even then I had to stand up the 
                  back. Some estimates indicated 800 people; I would put it nearer 
                  to 1,000. 
                   
Did anyone welcome you personally? 
                  I was met at the west door by a girl from an Anglican school 
                  who gave me the order of service. To get to the door, I passed 
                  through the smoke from an aboriginal smoking ritual, of which 
                  more below. Some lucky souls had tickets and were conducted 
                  to reserved pews. I didn't get to stray far from the west door. 
                   
Was your pew comfortable? 
                  A pew? I wish! I stood up at the west door, but by the end of 
                  the service I was squatting on the floor, which was actually 
                  worse than standing. It was all very uncomfortable. 
                   
How would you describe the pre-service
atmosphere? 
                  It was hard to hear oneself think in there! The cathedral veritably 
                  throbbed with activity as ushers and vergers tried to accommodate 
                  the late arrivals, camera crews and journalists readied themselves, 
                  and the congregation roared with conversation. And still people 
                  poured through the doors. 
                   
                  What were the exact opening 
                  words of the service? 
                  They were spoken by the elders of the Noongar people in their 
                  own language. The service began with an aboriginal smoking ceremony, 
                  an ancient custom involving the burning of various native plants 
                  to produce smoke, believed to have cleansing properties and 
                  the power to ward off bad spirits. Elders of the Noongar people 
                  entered the cathedral to the sound of didgeridoos (indigenous 
                  wooden pipes). Gradually the noise of the didgeridoos blended 
                  with the sound of the organ and the clergy processions entered 
                  through the wreaths of smoke which billowed into the cathedral 
                  from outside and which blended with the incense. It was highly 
                  atmospheric. 
                   
                  What books did the congregation 
                  use during the service? 
                  A printed order of service contained the liturgy (adapted from 
                  the Book of Common Prayer service for the consecration 
                  of bishops) with hymn texts (without melody line) and the setting 
                  for the ordinary of the mass, which was sung to the Celebration 
                  Mass by Phillip Matthias for cantor, choir and congregation. 
                  The order of service contained full lists of which clergy comprised 
                  which procession (very helpful for a Mystery Worshipper!) and 
                  a preface explaining the significance of the episcopacy and 
                  the apostolic succession. 
                   
What musical instruments were played? 
                  Pipe organ. St George's actually has three pipe organs, all 
                  traditional instruments. One is a small continuo organ, but 
                  there is a large organ in the west gallery and a choir organ 
                  in a loft in the chancel. These last two are separate instruments, 
                  but electronic override means that they can be played as one 
                  instrument, as indeed happened at this service. The organ accompanied 
                  congregational hymn singing, plainsong chanting, and the choir's 
                  anthems by Parry, Handel and Palestrina. 
                   
Did anything distract you? 
                  Mainly where I had to stand and crouch. The large ornate pillar 
                  which held up the organ loft was in my line of vision, until 
                  I became ruthless and pushed my way in front of some people. 
                  By the end of the service my feet were very tired, so I tried 
                  sitting on the floor. But this was amazingly unpleasant – the 
                  floor was cold and hard and I lost all circulation in my legs. 
                   
Was the worship stiff-upper-lip, happy clappy, or
what? 
                  As high as one can get without going into orbit. The highest 
                  ritual, of course, surrounded the actual moment of consecration. 
                  As the archbishop, choir and congregation chanted the Veni 
                  Sancte Spiritus, the new bishop prostrated herself on the 
                  floor, and as the archbishop prayed over her, two deacons held 
                  a gold embossed Bible above her head as a symbol of the primacy 
                  of the scriptures under which she would teach. There were many 
                  genuflections all round as aboriginal ceremony merged with Anglican 
                  ritual. However, it took the new bishop a few moments to find 
                  a comfortable position on the floor. All in all, the impression 
                  was of church traditions being thrown open to a new age in the 
                  midst of very traditional and quite opulent ritual. 
                   
                    
                   
Exactly how long was the sermon? 
                  16 minutes. 
                   
                  On a scale of 1-10, how 
                  good was the preacher? 
                  8  Archbishop Aspinall steered a scholarly course through 
                  a highly politically charged subject. He spoke in a very measured voice, but laid peculiar stress on certain words.  For instance, he managed to pronounce "Thursday" as a three syllable word.  While most of the sermon was on the significance of consecrating a woman to the episcopate, I thought he spent a little too long explaining why the service took place on a Thursday rather than the Sunday called for in the Book of Common Prayer. 
                   
                  In a nutshell, what was 
                  the sermon about? 
                  Naturally his sermon was about the meaning of the consecration 
                  of a woman bishop, which he noted was the "breaking of the stained 
                  glass ceiling." He opined that many people would see importance 
                  in Bishop Goldsworthy's appointment. However, it more deeply 
                  signifies women being brought fully into the ministry. The consecration 
                  of a bishop transcends earthly concerns over gender equality. 
                   
Which part of the service was like being in
heaven? 
                  Where do I start? Mostly, this was history in the making and 
                  the moment where the mitre was placed on Bishop Goldsworthy's 
                  head wasn't so much heavenly as electrifying. In a different 
                  sense, the address by the chancellor when the Archbishop of 
                  Perth called for the authority for consecration to be read was 
                  quite captivating. The chancellor, a QC, explained in great 
                  detail the legal and constitutional basis for the consecration, 
                  especially the amendment to the Constitution of the Anglican 
                  Church of Australia which allowed the consecration to proceed. 
                  Normally it would have been laboriously tedious, but behind 
                  the legal dryness was a clear sense of quiet revolution, as 
                  the chancellor explained the legal means by which a woman could 
                  become a bishop. It was all very momentous.  
                   
And which part was like being in... er... the other place? 
                  Mostly there was the anxiety that in the event of a bomb scare 
                  we would all have been crushed to death in trying to evacuate 
                  the cathedral. This is no exaggeration. The service some years 
                  ago when the first women priests in Australia were to be ordained 
                  was brought to a halt by a maniac threatening to blow up St 
                  Paul's Cathedral in Melbourne. I seriously anticipated that 
                  there would be some attempt to halt or generally disrupt the 
                  service. I saw in the papers the next day how relieved cathedral 
                  authorities were that no threats had been made. On a more mundane 
                  level, a man behind me sang all the congregational responses 
                  and hymns very enthusiastically but had an astonishing voice: 
                  it was not only disastrously out of tune, it also seemed to 
                  detach itself from the wider body of sound and float right into 
                  my ear. It spoilt my enjoyment of and participation in the sung 
                  parts of the service. 
                   
What happened when you hung around after the service looking lost? 
                  I was swept out of the cathedral on a tide of people. With movement 
                  like this, any attempt to stand around looking lost would have 
                  resulted in my being crushed. 
                   
How would you describe the after-service
coffee? 
                  By the time the service finished, it was well and truly past 
                  9.00pm, and I had to walk back to my hotel through some very 
                  dark and rather intimidating streets. So I left and didn't stay 
                  for the drinks in the governor's residence! 
                   
How would you feel about making this church your regular (where 10 = ecstatic, 0 = terminal)? 
                  10  It is really very hard to say. The service was overwhelmingly 
                  atmospheric and the whole event was quite heady, a combination 
                  of worshipping in a cathedral pulsating with people while history 
                  was being made. But very few services are like this. I doubt 
                  the consecration of a male bishop would have quite the same 
                  atmosphere.  
                   
Did the service make you feel glad to be a
Christian? 
                  Rather it made me excited to be an Anglican. 
                   
What one thing will you remember about all this in seven days' time? 
                  All of it really. The occasion was inexpressibly momentous as 
                  Australia's Anglicans gained their first woman bishop. Most 
                  of all I will remember the palpable excitement, not a sensation 
                  one encounters very often in church. | 
             
           
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            | The Mystery Pilgrim | 
           
          
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            |  One of our most seasoned reporters makes the Camino pilgrimage to Santiago de Compostela in Spain. Read here. | 
           
          
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